" (...) Gravitating between something that celebrates result and process, figuration and abstraction, Keke Vilabelda operates on the nature of the gaze. Disturbing the clarity of the image to uncover the nature of the painting, his action summons a performativity in the observer. The latter, between distance and approximation, oscillates between retinal perception and corporeal comprehension. Thus, if in the words of Pallasmaa "The hegemonic eye seeks domination over all fields of cultural production (...)", Vilabelda equates a perceptive experience that acts as a whole, to act, provocatively, in the opposite direction. "  ( Sérgio Fazenda Rodrigues )