Chakra tuning forks, decoy whistles, whips, sea shells and other seemingly random objects form a sculptural gestalt or a foley studio. The sounds of the objects are imitating life while a voice is speaking about the touch of sound and our human bodies as constellations of bacteria and microorganisms which interact with the environment beyond our death, questioning the western idea of the self. 

The body is a site that is permeable to sounds and microbiota that even regulate our moods and emotions through their serotonergic systems and perhaps even influence our dreams. 

We see the objects on the sculpture, and just as the sounds of the instruments are reproduced and invisible so are the microorganisms. Would there be a possibility for communication with our microbiology out of the known? We, as listeners are left to be turned towards the voice of thought.