In the second installment of the project ”Auto Bios Grapho”, Joline Uvman continues to explore the concept of the autobiography, where one of Uvman’s main references, the novel “Autobiography of Red'' by poet Anne Carson, is further brought to surface. The line in the fragile diagrams of "Grapho” is here dissolved into pictorial images acting on the borderline of photography and sculpture, relating to nature where the word ”bios” echoes through. A shift is made in energy, turning from time to flesh.

The work ”Auto Bios Grapho” is exhibited in three parts and can be seen both as a dissection of the form of the autobiography and a meditation on lineage. In this work Joline Uvman seeks to find an emotional meeting point of the personal and the structural by merging various types of languages: the material, the written, the pictorial, and the mathematical.