Amanuelabiy Abraham
I´m interested in contrast and diversity, relating to form and the material world. It has always been an inspiration and the main motivation for my artistic practice. It gives me a broad perspective to explore and to understand our environment & social subject matters.
Through my works, I like to explore, the phenomenal interconnection between humanity, nature & industrialization.
Strange:
It’s a part of a series of works that intends to emphasize or explore the stimulus intersection between - nature, humanity & industrialization in the present, whether it is a benefactor or contrary.
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The Milky Way - Helena Burman
As a child, I traveled in my imagination across the universe. Through large star clusters, galaxies and planets. In my children's room, the window to the night sky became my view of the Milky Way. The universe's endless black void became my security and at the same time a conscious fear of living.
In this exhibition "The Milky Way" I present 11 "blobs" or UFOs in soft plush, stuffed into cuddly pillows. The pattern is based on photographs composed in mathematical reflections that I call "Facilities from 1999".
Enclosed in a fluffy warm sleeping bag, I protect myself from the living. In this safe "Memory Mummy" I am enveloped in darkness.
"The Milky Way" is painted in white plastic stuff that would still only be recycled. Enclosed and protected in embracing plastic.
The exhibition is a journey into my past and into my future. All at once.
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Kjell Hansson
" Det är vanligt att man visar målningar återhållsamt. Prydligt, respektfulla avstånd och ibland asketiskt ljussatta.
Detta är brötigt! Starka färger, non figurativa, uppsatta direkt på väggen, tätt och många!
Det var inte alls planerat när jag började våras. Men så utvecklades det.
Organiskt. Visst låter det spännande! Vad man ska kalla det jag visar? Masspsykos kanske! "
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Det glada trädet - Carolina Hindsjö
Att konstverken är inspirerad av solen och änglar.
I go from one place to another. Sometimes contained in a box, sometimes moving through sea and land without knowing the destination. One day I, 10 years old or so, got a camera in my hand; suddenly all movement around me ceased to exist. These photographs are part of my various ongoing projects since 2019.
